WHAT THE HELL DID I JUST WATCH? / MOVIES ·

SHE PLAYED ELIZABETH HOLMES. NOW SHE'S PLAYING HER AGAIN.

First she played Elizabeth Holmes on TV. Then the real Holmes watched her. Then Nathan Fielder hired her to play Holmes again. Emma Stone opened the door.

A documentary is supposed to show you the real person behind the dramatization. Nathan Fielder's You Can See Everything does something considerably stranger: it recruits the dramatization to help investigate the real person.

THE ACTRESS MEETS HER SUBJECT'S FOOTAGE

Amanda Seyfried won an Emmy for playing Theranos founder Elizabeth Holmes in The Dropout. In Fielder and Lance Oppenheim's new documentary, Seyfried watches footage involving the actual Holmes, including Holmes encountering that TV performance. The layers of imitation become hard to count before anybody even changes costume.

The film begins with the filmmakers recording Holmes in the last stretch before prison, then turns toward things the cameras could not witness. Fielder brings Seyfried into the process as someone who already spent months constructing a version of this woman.

A REENACTMENT OF WHAT NOBODY COULD FILM

Seyfried resumes the role for dramatizations of private conversations and a prison visit that could not be recorded. Christopher Abbott plays Holmes's partner Billy Evans in these reconstructed scenes. The scripts depend on the filmmakers' recollections and choices; a polished recreation is not a surveillance tape.

That is the unnerving part. An actress can make a disputed memory feel more concrete than an honest admission that the camera was absent. The documentary exposes that trick while performing it.

EMMA STONE'S UNEXPECTED ROLE

According to Oppenheim's account reported by TheWrap, Emma Stone helped connect the directors with Seyfried. At first they wanted her reaction to the footage. Seyfried's willingness to play Holmes again changed the movie's form.

There is a magnificent joke hiding in this casting chain. Hollywood created a substitute Elizabeth Holmes. The real Holmes entered a documentary about her own public image. Then the substitute was called back to explain the parts reality failed to record. This may be the first film in which the reenactment should be credited as a witness for the prosecution and the defense.

SOURCES

  1. TheWrap: Emma Stone's role in bringing Seyfried into the film ↗
  2. AP: review of Fielder and Oppenheim's documentary ↗
  3. Vanity Fair: the film's reenactments and prison visit ↗
  4. A24: official film synopsis ↗